Microphone still works on DV cameras attached to G3 Macs Apple warns that videoaconferencing is not possible using a DV camera with any G3 systems in iChat, but microphone capabilities for these ...

At work these days I've become the de facto post-production digital video guy. I'm using adobe products and learning a lot, but I often run into areas where i'm clueless. Here's one: <BR><BR>To ...

The 1980s were the decade when video began to encroach on film – certainly for TV, if not for cinema. The 1990s was the decade when digital cameras made their mark. Specifically the DV Granddaddy, the ...

JW Fishers DV-2 HD system is the next generation dropped video camera now coming standard with full-HD video! The HD-TVI camera produces 1920 x 1080 (1080p) full-HD video for sharp, detailed imaging.

One of the key purchasing decisions when setting up a streaming production studio is the choice of camera. Since most streaming today is done at a resolution of 320x240 pixels, even on the high-end, ...

Here’s another cool gadget from the guys over at Brando, the Tiny DV Camera. This tiny camera can record video at 30fps in a resolution of 640 x 480. It measures 55 x 28 x 20mm and weighs just 50 ...

I was looking at the cameras at Best Buy, and the tiny little Sharps were really nice.<BR><BR>I liked the idea of owning a camera that my wife can just stick in her purse when we're out, and we don't ...

DV cameras provide an easier production workflow than any previous video technology. But despite the power of digital editing, tape can still be a hassle. That’s where Datavideo’s DV Bank comes in.

The picture and audio quality of the Sharp VL-Z7U is comparable to other DV cameras that I’ve seen and used. Great audio and video aside, if your camera is a bear to hold and operate, then it’s not ...

Panasonic Broadcast & Television Systems Co. today announced pricing and availability for its forthcoming AG-DVX100, a new Mini-DV camcorder with the ability to capture imagery at the 480i/60 NTSC ...

In 2002, "28 Days Later" set the world of horror on its head. Shot on a prosumer DV camera, director Danny Boyle and cinematographer Anthony Dod Mantle had found a mode of production that matched the ...