The global art world is rapidly becoming aware of this market, but there are some pitfalls to know about if you are looking to buy into it. Installation view of the Mirdidingkingathi Juwarnda Sally ...

A new book and website tell the story of a small group of Aboriginal artists from Australia who changed the face of global art history – and the resources were produced by the only museum dedicated to ...

An artist, educator and writer specializing in Australian indigenous art will be the next director of the University of Virginia’s Kluge-Ruhe Aboriginal Art Collection, a search committee announced ...

Just five months after Gagosian Gallery held a groundbreaking exhibition of contemporary Indigenous Australian painting, the auction houses are following suit. On Friday, Sotheby’s held the first New ...

The bark paintings in Gapu-Monuk Saltwater: Journey to Sea Country at the Australian National Maritime Museum in Sydney were pivotal documents in a major case for indigenous sea rights. These ...

On September 17, the Asia Society in New York will open a unique exhibition showcasing the rich history of Aboriginal Australian bark painting. “Maḏayin: Eight Decades of Aboriginal Australian Bark ...

Australian Aboriginal art, ranging from ceremonial works painted with ochre on eucalyptus tree bark in the late 1950s, to huge, contemporary abstracts, will be sold for the first time by Sotheby’s in ...

Fiona Foley, "HHH" (2004). Courtesy of artist/Niagara Galleries. (via MoCADA.org) I just started reading Toure’s Post Blackness: What It means to be Black Now, which features a number of black artists ...

“The Dreaming” isn’t quite the right way to put it. For the Aboriginal people of Australia, the Dreaming was a period when giants walked the earth, forming the landscape as we know it through their ...

Makinti Napanangka, Kungka Kutjarra (Two Women), 2001. Synthetic polymer paint on linen. On view at Gagosian, New York City. Rob McKeever, Makinti Napanangka, Artists Rights Society (ARS), New York, ...

The Australian Cultural Fields: National and Transnational Dynamics project discussed in this article was supported by the Australian Government through the Australian Research Council (DP140101970).